{"id":229,"date":"2024-04-01T13:31:10","date_gmt":"2024-04-01T10:31:10","guid":{"rendered":"https:\/\/aslihankaratas.com\/?p=229"},"modified":"2024-04-01T13:32:17","modified_gmt":"2024-04-01T10:32:17","slug":"konusmanin-imkansizligi-uzerine-bir-diyalog","status":"publish","type":"post","link":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/","title":{"rendered":"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog"},"content":{"rendered":"\n<p id=\"8ffe\">Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog- Osman \u00c7AKMAK\u00c7I<\/p>\n\n\n\n<p id=\"6c0c\">\u0130ki insan aras\u0131nda konu\u015fmak m\u00fcmk\u00fcn m\u00fcd\u00fcr? Osman \u00c7akmak\u00e7\u0131 \u201cKonu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog\u201d adl\u0131 kitab\u0131nda bunun imkans\u0131z oldu\u011fundan bahsediyor. \u015eimdi d\u00fc\u015f\u00fcnmenizi istiyorum sizce iki insan\u0131n konu\u015fmas\u0131 m\u00fcmk\u00fcn m\u00fcd\u00fcr? Bu soruma \u015fuan cevab\u0131n\u0131z \u201cElbette\u201d gibi cevaplar veriyorsunuz. Bu kitab\u0131 okuduktan sonra bunun ger\u00e7ekten imkans\u0131z m\u0131 oldu\u011funa karar vereceksiniz. <\/p>\n\n\n\n<p id=\"4a7f\">Kitab\u0131n Ad\u0131: Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog<\/p>\n\n\n\n<p id=\"119d\">Kitab\u0131n Yazar\u0131: Osman \u00c7AKMAK\u00c7I<\/p>\n\n\n\n<p id=\"6637\">Yay\u0131n Y\u0131l\u0131: 2015<\/p>\n\n\n\n<p id=\"988e\">Ka\u00e7\u0131nc\u0131 Bask\u0131: 5. Bask\u0131<\/p>\n\n\n\n<p id=\"61d0\">Yay\u0131nevi Ve Yeri: T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131\/\u0130stanbul<\/p>\n\n\n\n<p id=\"fc70\">Sayfa Say\u0131s\u0131: 71 sayfa<\/p>\n\n\n\n<p id=\"6185\">Kitab\u0131n Hitap Etti\u011fi Kitle: Genel<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png\" alt=\"\"\/><\/figure>\n\n\n\n<p id=\"79a4\">Yazar\u0131n Hayat\u0131<\/p>\n\n\n\n<p id=\"10d6\">Osman \u00c7akmak\u00e7\u0131, 1965 y\u0131l\u0131nda Trabzon\u2019da do\u011fmu\u015ftur. Babas\u0131 ayakkab\u0131 tamircisi, annesi ise ev han\u0131m\u0131yd\u0131. Liseyi \u0130stanbul Dar\u00fc\u015f\u015fafaka Lisesinde paras\u0131z yat\u0131l\u0131 olarak okumu\u015ftur. \u00dcniversitede ise \u00f6nce Bo\u011fazi\u00e7i \u00dcniversitesi Psikoloji b\u00f6l\u00fcm\u00fcn\u00fc ard\u0131ndan \u0130stanbul \u00dcniversitesi Felsefe B\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015ftir. \u00c7ok say\u0131da dergide yaz\u0131 ve \u015fiirleri bas\u0131lm\u0131\u015f bir\u00e7ok gazetede kitaplar\u0131yla g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. \u015euan hala \u0130stanbul\u2019da ya\u015fam\u0131n\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n\n\n\n<p id=\"8f04\">Yazar\u0131n di\u011fer kitaplar\u0131 : Zakkum Av\u0131, U\u00e7u\u015fan A\u011fa\u00e7, K\u00f6r Yaz\u0131, Bir Hi\u00e7lik Anatomisi, A\u015fa\u011f\u0131l\u0131k Sanat<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/miro.medium.com\/v2\/resize:fit:875\/1*z-3S6aqkmv7yY5ry_PM2Ww.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p id=\"68be\">Kitap, ilk olarak 1998 y\u0131l\u0131nda Radikal gazetesinin pazar eki Radikal \u0130ki\u2019 de 15 b\u00f6l\u00fcm halinde yay\u0131mlanm\u0131\u015ft\u0131r. Ard\u0131ndan \u0130\u015f Bankas\u0131 yay\u0131nlar\u0131 taraf\u0131ndan ilk bask\u0131s\u0131 2015 de, 5. ve son bask\u0131s\u0131 2019 da bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n<p id=\"b283\">Kitap iki ki\u015fi aras\u0131nda ge\u00e7en diyaloglardan olu\u015fuyor. Kitapta s\u00fcrekli sorgulayan ve sorular\u0131n\u0131 ustaca cevaplay\u0131p asl\u0131nda bize de merak etti\u011fimiz cevaplar\u0131 veren iki ki\u015fi yer al\u0131yor. Kitapta s\u0131k s\u0131k \u00e7izimlere rastl\u0131yoruz.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/miro.medium.com\/v2\/resize:fit:875\/1*u2wo4nEMrbCn1NESyidaRw.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p id=\"fcc4\">Konu\u015fmak, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar kolay bir eylem midir? Yazara g\u00f6re de\u011fil hatta imkans\u0131z, zor ve tehlikeli. Evet do\u011fru duydunuz konu\u015fmak, anlatmak istediklerini kar\u015f\u0131 tarafa tam anlam\u0131yla aktarmak imkans\u0131zd\u0131r. Hi\u00e7 \u015f\u00fcphesiz konu\u015fmak i\u00e7in dil mevcuttur ancak konu\u015fmak anlamay\u0131 gerektirir.<\/p>\n\n\n\n<p id=\"d285\">Peki konu\u015fmak nedir? Konu\u015fmak, merkezdeki bir noktadan d\u0131\u015far\u0131ya aktar\u0131lan eylem de\u011fil; en az iki merkez noktan\u0131n birbirine akmas\u0131d\u0131r. Konu\u015fmak asl\u0131nda tehlikeli bir eylemdir. \u00c7\u00fcnk\u00fc, konu\u015fmak i\u00e7in egomuz da yar\u0131klar a\u00e7mam\u0131z gerekir ve bu bizi kar\u015f\u0131 tarafa korumas\u0131z b\u0131rak\u0131r. Bu demek oluyor ki, yaln\u0131zl\u0131k g\u00fcvenilirdir. Oysa ne anlam\u0131 var ki, egomuz da s\u0131n\u0131rs\u0131z yar\u0131klar a\u00e7mazsak ba\u015fka t\u00fcrl\u00fc rastlant\u0131lara nas\u0131l kap\u0131 aralayabiliriz.<\/p>\n\n\n\n<p id=\"37a6\">\u0130nsan, bir ba\u015fkas\u0131n\u0131 anlayabilmek i\u00e7in \u00f6nce kendisini bilmelidir. Her insan\u0131n s\u00f6zc\u00fcklere y\u00fckledi\u011fi anlam ve deneyimler birbirinden farkl\u0131d\u0131r. Bu sebeple ayn\u0131 s\u00f6zc\u00fckleri kullansak dahi tam anlam\u0131yla konu\u015fmak, anla\u015fmak imkans\u0131zd\u0131r. Asl\u0131nda konu\u015fmak duyarl\u0131l\u0131kla m\u00fcmk\u00fcnd\u00fcr ancak duyarl\u0131l\u0131kta kullanmakta oldu\u011fumuz dilin s\u0131n\u0131rlar\u0131na mahkumdur. Hi\u00e7 bir dil yoktur ki insan duyarl\u0131l\u0131\u011f\u0131n\u0131 tam anlam\u0131yla hissetti\u011fi gibi kar\u015f\u0131 tarafa aktarabilsin.<\/p>\n\n\n\n<p id=\"a2b4\">\u201cHerkes, kendine yazg\u0131l\u0131d\u0131r; kendi bulundu\u011fu \u2018yer\u2019 e hapistir; kendi konumunda \u00e7ak\u0131l\u0131d\u0131r. Bu \u2018yazg\u0131\u2019 ancak ve ancak derin bir \u015fekilde \u2018sanat\u2019 taraf\u0131ndan belki, yeni ba\u015ftan olmasa da , bu m\u00fcmk\u00fcn de\u011fildir, yeni bir yata\u011fa akabilir.\u201d (sayfa: 39)<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/miro.medium.com\/v2\/resize:fit:875\/1*r6DUXgnejwfAFzlQD4CYBw.jpeg\" alt=\"\"\/><\/figure>\n\n\n\n<p id=\"6291\">Duyarl\u0131l\u0131\u011f\u0131n geni\u015fletilmesi ancak sanat ile m\u00fcmk\u00fcnd\u00fcr. Sanat, bizim kendi bulundu\u011fumuz d\u00fcnya d\u0131\u015f\u0131nda ba\u015fkalar\u0131n\u0131n d\u00fcnyas\u0131n\u0131 bize anlatarak farkl\u0131 y\u00f6nlerden bakmam\u0131z\u0131 sa\u011flar. Bizi bir ba\u015fkas\u0131 yapar. Duyarl\u0131l\u0131\u011f\u0131 aktarma aray\u0131\u015f\u0131na girdi\u011fimizde kar\u015f\u0131m\u0131za \u2018m\u00fczik\u2019 \u00e7\u0131kar. Evet o \u00e7\u0131lg\u0131nca dile sahip, sesleri notalarla yaz\u0131lan m\u00fczik! Sanatlar\u0131n en y\u00fccesi m\u00fczik midir? M\u00fczik de sesi notan\u0131n i\u00e7ine hapsetmekten ibaret de\u011fil midir? \u00d6yleyse \u00e7\u0131lg\u0131nca dile sahip m\u00fczi\u011finde s\u0131n\u0131rlar\u0131 vard\u0131r diyebiliriz. Asl\u0131nda m\u00fczik bir nevi sesleri dondurmak, mumyalamak hatta konserve etmektir.<\/p>\n\n\n\n<p id=\"e974\">Peki ya \u2018\u015fiir\u2019 ? \u015eiir, insana bir ba\u015fkas\u0131 olabilmeyi \u00f6\u011fretir. Asl\u0131nda \u015fiirde m\u00fczikte aldanm\u0131\u015ft\u0131r ve aldat\u0131c\u0131d\u0131r. K\u0131saca, okudu\u011fumuz her \u015fiir, roman; izledi\u011fimiz her film, dizi ; dinledi\u011fimiz her m\u00fczik bizi ba\u015fkas\u0131 yapar ve bize yeni ki\u015filikler kazand\u0131r\u0131r.<\/p>\n\n\n\n<p id=\"7f49\">Konu\u015fmak \u00f6yle zannedildi\u011fi gibi hemen ger\u00e7ekle\u015fmiyor, \u00e7aba gerektiriyor. \u0130nsan\u0131n konu\u015fmak i\u00e7in kabu\u011funda yar\u0131klar a\u00e7mas\u0131 gerekiyor. \u201cKonu\u015fmak imkans\u0131zd\u0131r, bu kesin. Ama i\u015fte bunun i\u00e7in konu\u015fmak gerekir.\u201d (sayfa: 71) <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog- Osman \u00c7AKMAK\u00c7I \u0130ki insan aras\u0131nda konu\u015fmak m\u00fcmk\u00fcn m\u00fcd\u00fcr? Osman \u00c7akmak\u00e7\u0131 \u201cKonu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog\u201d adl\u0131 kitab\u0131nda bunun imkans\u0131z oldu\u011fundan bahsediyor. \u015eimdi d\u00fc\u015f\u00fcnmenizi istiyorum sizce iki insan\u0131n konu\u015fmas\u0131 m\u00fcmk\u00fcn m\u00fcd\u00fcr? Bu soruma \u015fuan cevab\u0131n\u0131z \u201cElbette\u201d gibi cevaplar veriyorsunuz. Bu kitab\u0131 okuduktan sonra bunun ger\u00e7ekten imkans\u0131z m\u0131 oldu\u011funa karar vereceksiniz. Kitab\u0131n Ad\u0131: Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog Kitab\u0131n Yazar\u0131: Osman \u00c7AKMAK\u00c7I Yay\u0131n Y\u0131l\u0131: 2015 Ka\u00e7\u0131nc\u0131 Bask\u0131: 5. Bask\u0131 Yay\u0131nevi Ve Yeri: T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131\/\u0130stanbul Sayfa Say\u0131s\u0131: 71 sayfa Kitab\u0131n Hitap Etti\u011fi Kitle: Genel Yazar\u0131n Hayat\u0131 Osman \u00c7akmak\u00e7\u0131, 1965 y\u0131l\u0131nda Trabzon\u2019da do\u011fmu\u015ftur. Babas\u0131 ayakkab\u0131 tamircisi, annesi ise ev han\u0131m\u0131yd\u0131. Liseyi \u0130stanbul Dar\u00fc\u015f\u015fafaka Lisesinde paras\u0131z yat\u0131l\u0131 olarak okumu\u015ftur. \u00dcniversitede ise \u00f6nce Bo\u011fazi\u00e7i \u00dcniversitesi Psikoloji b\u00f6l\u00fcm\u00fcn\u00fc ard\u0131ndan \u0130stanbul \u00dcniversitesi Felsefe B\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015ftir. \u00c7ok say\u0131da dergide yaz\u0131 ve \u015fiirleri bas\u0131lm\u0131\u015f bir\u00e7ok gazetede kitaplar\u0131yla g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. \u015euan hala \u0130stanbul\u2019da ya\u015fam\u0131n\u0131 s\u00fcrd\u00fcrmektedir. Yazar\u0131n di\u011fer kitaplar\u0131 : Zakkum Av\u0131, U\u00e7u\u015fan A\u011fa\u00e7, K\u00f6r Yaz\u0131, Bir Hi\u00e7lik Anatomisi, A\u015fa\u011f\u0131l\u0131k Sanat Kitap, ilk olarak 1998 y\u0131l\u0131nda Radikal gazetesinin pazar eki Radikal \u0130ki\u2019 de 15 b\u00f6l\u00fcm halinde yay\u0131mlanm\u0131\u015ft\u0131r. Ard\u0131ndan \u0130\u015f Bankas\u0131 yay\u0131nlar\u0131 taraf\u0131ndan ilk bask\u0131s\u0131 2015 de, 5. ve son bask\u0131s\u0131 2019 da bas\u0131lm\u0131\u015ft\u0131r. Kitap iki ki\u015fi aras\u0131nda ge\u00e7en diyaloglardan olu\u015fuyor. Kitapta s\u00fcrekli sorgulayan ve sorular\u0131n\u0131 ustaca cevaplay\u0131p asl\u0131nda bize de merak etti\u011fimiz cevaplar\u0131 veren iki ki\u015fi yer al\u0131yor. Kitapta s\u0131k s\u0131k \u00e7izimlere rastl\u0131yoruz. Konu\u015fmak, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar kolay bir eylem midir? Yazara g\u00f6re de\u011fil hatta imkans\u0131z, zor ve tehlikeli. Evet do\u011fru duydunuz konu\u015fmak, anlatmak istediklerini kar\u015f\u0131 tarafa tam anlam\u0131yla aktarmak imkans\u0131zd\u0131r. Hi\u00e7 \u015f\u00fcphesiz konu\u015fmak i\u00e7in dil mevcuttur ancak konu\u015fmak anlamay\u0131 gerektirir. Peki konu\u015fmak nedir? Konu\u015fmak, merkezdeki bir noktadan d\u0131\u015far\u0131ya aktar\u0131lan eylem de\u011fil; en az iki merkez noktan\u0131n birbirine akmas\u0131d\u0131r. Konu\u015fmak asl\u0131nda tehlikeli bir eylemdir. \u00c7\u00fcnk\u00fc, konu\u015fmak i\u00e7in egomuz da yar\u0131klar a\u00e7mam\u0131z gerekir ve bu bizi kar\u015f\u0131 tarafa korumas\u0131z b\u0131rak\u0131r. Bu demek oluyor ki, yaln\u0131zl\u0131k g\u00fcvenilirdir. Oysa ne anlam\u0131 var ki, egomuz da s\u0131n\u0131rs\u0131z yar\u0131klar a\u00e7mazsak ba\u015fka t\u00fcrl\u00fc rastlant\u0131lara nas\u0131l kap\u0131 aralayabiliriz. \u0130nsan, bir ba\u015fkas\u0131n\u0131 anlayabilmek i\u00e7in \u00f6nce kendisini bilmelidir. Her insan\u0131n s\u00f6zc\u00fcklere y\u00fckledi\u011fi anlam ve deneyimler birbirinden farkl\u0131d\u0131r. Bu sebeple ayn\u0131 s\u00f6zc\u00fckleri kullansak dahi tam anlam\u0131yla konu\u015fmak, anla\u015fmak imkans\u0131zd\u0131r. Asl\u0131nda konu\u015fmak duyarl\u0131l\u0131kla m\u00fcmk\u00fcnd\u00fcr ancak duyarl\u0131l\u0131kta kullanmakta oldu\u011fumuz dilin s\u0131n\u0131rlar\u0131na mahkumdur. Hi\u00e7 bir dil yoktur ki insan duyarl\u0131l\u0131\u011f\u0131n\u0131 tam anlam\u0131yla hissetti\u011fi gibi kar\u015f\u0131 tarafa aktarabilsin. \u201cHerkes, kendine yazg\u0131l\u0131d\u0131r; kendi bulundu\u011fu \u2018yer\u2019 e hapistir; kendi konumunda \u00e7ak\u0131l\u0131d\u0131r. Bu \u2018yazg\u0131\u2019 ancak ve ancak derin bir \u015fekilde \u2018sanat\u2019 taraf\u0131ndan belki, yeni ba\u015ftan olmasa da , bu m\u00fcmk\u00fcn de\u011fildir, yeni bir yata\u011fa akabilir.\u201d (sayfa: 39) Duyarl\u0131l\u0131\u011f\u0131n geni\u015fletilmesi ancak sanat ile m\u00fcmk\u00fcnd\u00fcr. Sanat, bizim kendi bulundu\u011fumuz d\u00fcnya d\u0131\u015f\u0131nda ba\u015fkalar\u0131n\u0131n d\u00fcnyas\u0131n\u0131 bize anlatarak farkl\u0131 y\u00f6nlerden bakmam\u0131z\u0131 sa\u011flar. Bizi bir ba\u015fkas\u0131 yapar. Duyarl\u0131l\u0131\u011f\u0131 aktarma aray\u0131\u015f\u0131na girdi\u011fimizde kar\u015f\u0131m\u0131za \u2018m\u00fczik\u2019 \u00e7\u0131kar. Evet o \u00e7\u0131lg\u0131nca dile sahip, sesleri notalarla yaz\u0131lan m\u00fczik! Sanatlar\u0131n en y\u00fccesi m\u00fczik midir? M\u00fczik de sesi notan\u0131n i\u00e7ine hapsetmekten ibaret de\u011fil midir? \u00d6yleyse \u00e7\u0131lg\u0131nca dile sahip m\u00fczi\u011finde s\u0131n\u0131rlar\u0131 vard\u0131r diyebiliriz. Asl\u0131nda m\u00fczik bir nevi sesleri dondurmak, mumyalamak hatta konserve etmektir. Peki ya \u2018\u015fiir\u2019 ? \u015eiir, insana bir ba\u015fkas\u0131 olabilmeyi \u00f6\u011fretir. Asl\u0131nda \u015fiirde m\u00fczikte aldanm\u0131\u015ft\u0131r ve aldat\u0131c\u0131d\u0131r. K\u0131saca, okudu\u011fumuz her \u015fiir, roman; izledi\u011fimiz her film, dizi ; dinledi\u011fimiz her m\u00fczik bizi ba\u015fkas\u0131 yapar ve bize yeni ki\u015filikler kazand\u0131r\u0131r. Konu\u015fmak \u00f6yle zannedildi\u011fi gibi hemen ger\u00e7ekle\u015fmiyor, \u00e7aba gerektiriyor. \u0130nsan\u0131n konu\u015fmak i\u00e7in kabu\u011funda yar\u0131klar a\u00e7mas\u0131 gerekiyor. \u201cKonu\u015fmak imkans\u0131zd\u0131r, bu kesin. Ama i\u015fte bunun i\u00e7in konu\u015fmak gerekir.\u201d (sayfa: 71)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-229","post","type-post","status-publish","format-standard","hentry","category-genel"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog - ASLIHAN KARATA\u015e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog - ASLIHAN KARATA\u015e\" \/>\n<meta property=\"og:description\" content=\"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog- Osman \u00c7AKMAK\u00c7I \u0130ki insan aras\u0131nda konu\u015fmak m\u00fcmk\u00fcn m\u00fcd\u00fcr? Osman \u00c7akmak\u00e7\u0131 \u201cKonu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog\u201d adl\u0131 kitab\u0131nda bunun imkans\u0131z oldu\u011fundan bahsediyor. \u015eimdi d\u00fc\u015f\u00fcnmenizi istiyorum sizce iki insan\u0131n konu\u015fmas\u0131 m\u00fcmk\u00fcn m\u00fcd\u00fcr? Bu soruma \u015fuan cevab\u0131n\u0131z \u201cElbette\u201d gibi cevaplar veriyorsunuz. Bu kitab\u0131 okuduktan sonra bunun ger\u00e7ekten imkans\u0131z m\u0131 oldu\u011funa karar vereceksiniz. Kitab\u0131n Ad\u0131: Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog Kitab\u0131n Yazar\u0131: Osman \u00c7AKMAK\u00c7I Yay\u0131n Y\u0131l\u0131: 2015 Ka\u00e7\u0131nc\u0131 Bask\u0131: 5. Bask\u0131 Yay\u0131nevi Ve Yeri: T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131\/\u0130stanbul Sayfa Say\u0131s\u0131: 71 sayfa Kitab\u0131n Hitap Etti\u011fi Kitle: Genel Yazar\u0131n Hayat\u0131 Osman \u00c7akmak\u00e7\u0131, 1965 y\u0131l\u0131nda Trabzon\u2019da do\u011fmu\u015ftur. Babas\u0131 ayakkab\u0131 tamircisi, annesi ise ev han\u0131m\u0131yd\u0131. Liseyi \u0130stanbul Dar\u00fc\u015f\u015fafaka Lisesinde paras\u0131z yat\u0131l\u0131 olarak okumu\u015ftur. \u00dcniversitede ise \u00f6nce Bo\u011fazi\u00e7i \u00dcniversitesi Psikoloji b\u00f6l\u00fcm\u00fcn\u00fc ard\u0131ndan \u0130stanbul \u00dcniversitesi Felsefe B\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015ftir. \u00c7ok say\u0131da dergide yaz\u0131 ve \u015fiirleri bas\u0131lm\u0131\u015f bir\u00e7ok gazetede kitaplar\u0131yla g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. \u015euan hala \u0130stanbul\u2019da ya\u015fam\u0131n\u0131 s\u00fcrd\u00fcrmektedir. Yazar\u0131n di\u011fer kitaplar\u0131 : Zakkum Av\u0131, U\u00e7u\u015fan A\u011fa\u00e7, K\u00f6r Yaz\u0131, Bir Hi\u00e7lik Anatomisi, A\u015fa\u011f\u0131l\u0131k Sanat Kitap, ilk olarak 1998 y\u0131l\u0131nda Radikal gazetesinin pazar eki Radikal \u0130ki\u2019 de 15 b\u00f6l\u00fcm halinde yay\u0131mlanm\u0131\u015ft\u0131r. Ard\u0131ndan \u0130\u015f Bankas\u0131 yay\u0131nlar\u0131 taraf\u0131ndan ilk bask\u0131s\u0131 2015 de, 5. ve son bask\u0131s\u0131 2019 da bas\u0131lm\u0131\u015ft\u0131r. Kitap iki ki\u015fi aras\u0131nda ge\u00e7en diyaloglardan olu\u015fuyor. Kitapta s\u00fcrekli sorgulayan ve sorular\u0131n\u0131 ustaca cevaplay\u0131p asl\u0131nda bize de merak etti\u011fimiz cevaplar\u0131 veren iki ki\u015fi yer al\u0131yor. Kitapta s\u0131k s\u0131k \u00e7izimlere rastl\u0131yoruz. Konu\u015fmak, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar kolay bir eylem midir? Yazara g\u00f6re de\u011fil hatta imkans\u0131z, zor ve tehlikeli. Evet do\u011fru duydunuz konu\u015fmak, anlatmak istediklerini kar\u015f\u0131 tarafa tam anlam\u0131yla aktarmak imkans\u0131zd\u0131r. Hi\u00e7 \u015f\u00fcphesiz konu\u015fmak i\u00e7in dil mevcuttur ancak konu\u015fmak anlamay\u0131 gerektirir. Peki konu\u015fmak nedir? Konu\u015fmak, merkezdeki bir noktadan d\u0131\u015far\u0131ya aktar\u0131lan eylem de\u011fil; en az iki merkez noktan\u0131n birbirine akmas\u0131d\u0131r. Konu\u015fmak asl\u0131nda tehlikeli bir eylemdir. \u00c7\u00fcnk\u00fc, konu\u015fmak i\u00e7in egomuz da yar\u0131klar a\u00e7mam\u0131z gerekir ve bu bizi kar\u015f\u0131 tarafa korumas\u0131z b\u0131rak\u0131r. Bu demek oluyor ki, yaln\u0131zl\u0131k g\u00fcvenilirdir. Oysa ne anlam\u0131 var ki, egomuz da s\u0131n\u0131rs\u0131z yar\u0131klar a\u00e7mazsak ba\u015fka t\u00fcrl\u00fc rastlant\u0131lara nas\u0131l kap\u0131 aralayabiliriz. \u0130nsan, bir ba\u015fkas\u0131n\u0131 anlayabilmek i\u00e7in \u00f6nce kendisini bilmelidir. Her insan\u0131n s\u00f6zc\u00fcklere y\u00fckledi\u011fi anlam ve deneyimler birbirinden farkl\u0131d\u0131r. Bu sebeple ayn\u0131 s\u00f6zc\u00fckleri kullansak dahi tam anlam\u0131yla konu\u015fmak, anla\u015fmak imkans\u0131zd\u0131r. Asl\u0131nda konu\u015fmak duyarl\u0131l\u0131kla m\u00fcmk\u00fcnd\u00fcr ancak duyarl\u0131l\u0131kta kullanmakta oldu\u011fumuz dilin s\u0131n\u0131rlar\u0131na mahkumdur. Hi\u00e7 bir dil yoktur ki insan duyarl\u0131l\u0131\u011f\u0131n\u0131 tam anlam\u0131yla hissetti\u011fi gibi kar\u015f\u0131 tarafa aktarabilsin. \u201cHerkes, kendine yazg\u0131l\u0131d\u0131r; kendi bulundu\u011fu \u2018yer\u2019 e hapistir; kendi konumunda \u00e7ak\u0131l\u0131d\u0131r. Bu \u2018yazg\u0131\u2019 ancak ve ancak derin bir \u015fekilde \u2018sanat\u2019 taraf\u0131ndan belki, yeni ba\u015ftan olmasa da , bu m\u00fcmk\u00fcn de\u011fildir, yeni bir yata\u011fa akabilir.\u201d (sayfa: 39) Duyarl\u0131l\u0131\u011f\u0131n geni\u015fletilmesi ancak sanat ile m\u00fcmk\u00fcnd\u00fcr. Sanat, bizim kendi bulundu\u011fumuz d\u00fcnya d\u0131\u015f\u0131nda ba\u015fkalar\u0131n\u0131n d\u00fcnyas\u0131n\u0131 bize anlatarak farkl\u0131 y\u00f6nlerden bakmam\u0131z\u0131 sa\u011flar. Bizi bir ba\u015fkas\u0131 yapar. Duyarl\u0131l\u0131\u011f\u0131 aktarma aray\u0131\u015f\u0131na girdi\u011fimizde kar\u015f\u0131m\u0131za \u2018m\u00fczik\u2019 \u00e7\u0131kar. Evet o \u00e7\u0131lg\u0131nca dile sahip, sesleri notalarla yaz\u0131lan m\u00fczik! Sanatlar\u0131n en y\u00fccesi m\u00fczik midir? M\u00fczik de sesi notan\u0131n i\u00e7ine hapsetmekten ibaret de\u011fil midir? \u00d6yleyse \u00e7\u0131lg\u0131nca dile sahip m\u00fczi\u011finde s\u0131n\u0131rlar\u0131 vard\u0131r diyebiliriz. Asl\u0131nda m\u00fczik bir nevi sesleri dondurmak, mumyalamak hatta konserve etmektir. Peki ya \u2018\u015fiir\u2019 ? \u015eiir, insana bir ba\u015fkas\u0131 olabilmeyi \u00f6\u011fretir. Asl\u0131nda \u015fiirde m\u00fczikte aldanm\u0131\u015ft\u0131r ve aldat\u0131c\u0131d\u0131r. K\u0131saca, okudu\u011fumuz her \u015fiir, roman; izledi\u011fimiz her film, dizi ; dinledi\u011fimiz her m\u00fczik bizi ba\u015fkas\u0131 yapar ve bize yeni ki\u015filikler kazand\u0131r\u0131r. Konu\u015fmak \u00f6yle zannedildi\u011fi gibi hemen ger\u00e7ekle\u015fmiyor, \u00e7aba gerektiriyor. \u0130nsan\u0131n konu\u015fmak i\u00e7in kabu\u011funda yar\u0131klar a\u00e7mas\u0131 gerekiyor. \u201cKonu\u015fmak imkans\u0131zd\u0131r, bu kesin. Ama i\u015fte bunun i\u00e7in konu\u015fmak gerekir.\u201d (sayfa: 71)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/\" \/>\n<meta property=\"og:site_name\" content=\"ASLIHAN KARATA\u015e\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-01T10:31:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-01T10:32:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png\" \/>\n<meta name=\"author\" content=\"aslihankaratas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"aslihankaratas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/\",\"url\":\"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/\",\"name\":\"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog - 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ASLIHAN KARATA\u015e","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/","og_locale":"tr_TR","og_type":"article","og_title":"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog - ASLIHAN KARATA\u015e","og_description":"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog- Osman \u00c7AKMAK\u00c7I \u0130ki insan aras\u0131nda konu\u015fmak m\u00fcmk\u00fcn m\u00fcd\u00fcr? Osman \u00c7akmak\u00e7\u0131 \u201cKonu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog\u201d adl\u0131 kitab\u0131nda bunun imkans\u0131z oldu\u011fundan bahsediyor. \u015eimdi d\u00fc\u015f\u00fcnmenizi istiyorum sizce iki insan\u0131n konu\u015fmas\u0131 m\u00fcmk\u00fcn m\u00fcd\u00fcr? Bu soruma \u015fuan cevab\u0131n\u0131z \u201cElbette\u201d gibi cevaplar veriyorsunuz. Bu kitab\u0131 okuduktan sonra bunun ger\u00e7ekten imkans\u0131z m\u0131 oldu\u011funa karar vereceksiniz. Kitab\u0131n Ad\u0131: Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog Kitab\u0131n Yazar\u0131: Osman \u00c7AKMAK\u00c7I Yay\u0131n Y\u0131l\u0131: 2015 Ka\u00e7\u0131nc\u0131 Bask\u0131: 5. Bask\u0131 Yay\u0131nevi Ve Yeri: T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131\/\u0130stanbul Sayfa Say\u0131s\u0131: 71 sayfa Kitab\u0131n Hitap Etti\u011fi Kitle: Genel Yazar\u0131n Hayat\u0131 Osman \u00c7akmak\u00e7\u0131, 1965 y\u0131l\u0131nda Trabzon\u2019da do\u011fmu\u015ftur. Babas\u0131 ayakkab\u0131 tamircisi, annesi ise ev han\u0131m\u0131yd\u0131. Liseyi \u0130stanbul Dar\u00fc\u015f\u015fafaka Lisesinde paras\u0131z yat\u0131l\u0131 olarak okumu\u015ftur. \u00dcniversitede ise \u00f6nce Bo\u011fazi\u00e7i \u00dcniversitesi Psikoloji b\u00f6l\u00fcm\u00fcn\u00fc ard\u0131ndan \u0130stanbul \u00dcniversitesi Felsefe B\u00f6l\u00fcm\u00fcn\u00fc bitirmi\u015ftir. \u00c7ok say\u0131da dergide yaz\u0131 ve \u015fiirleri bas\u0131lm\u0131\u015f bir\u00e7ok gazetede kitaplar\u0131yla g\u00f6r\u00fcnm\u00fc\u015ft\u00fcr. \u015euan hala \u0130stanbul\u2019da ya\u015fam\u0131n\u0131 s\u00fcrd\u00fcrmektedir. Yazar\u0131n di\u011fer kitaplar\u0131 : Zakkum Av\u0131, U\u00e7u\u015fan A\u011fa\u00e7, K\u00f6r Yaz\u0131, Bir Hi\u00e7lik Anatomisi, A\u015fa\u011f\u0131l\u0131k Sanat Kitap, ilk olarak 1998 y\u0131l\u0131nda Radikal gazetesinin pazar eki Radikal \u0130ki\u2019 de 15 b\u00f6l\u00fcm halinde yay\u0131mlanm\u0131\u015ft\u0131r. Ard\u0131ndan \u0130\u015f Bankas\u0131 yay\u0131nlar\u0131 taraf\u0131ndan ilk bask\u0131s\u0131 2015 de, 5. ve son bask\u0131s\u0131 2019 da bas\u0131lm\u0131\u015ft\u0131r. Kitap iki ki\u015fi aras\u0131nda ge\u00e7en diyaloglardan olu\u015fuyor. Kitapta s\u00fcrekli sorgulayan ve sorular\u0131n\u0131 ustaca cevaplay\u0131p asl\u0131nda bize de merak etti\u011fimiz cevaplar\u0131 veren iki ki\u015fi yer al\u0131yor. Kitapta s\u0131k s\u0131k \u00e7izimlere rastl\u0131yoruz. Konu\u015fmak, g\u00f6r\u00fcnd\u00fc\u011f\u00fc kadar kolay bir eylem midir? Yazara g\u00f6re de\u011fil hatta imkans\u0131z, zor ve tehlikeli. Evet do\u011fru duydunuz konu\u015fmak, anlatmak istediklerini kar\u015f\u0131 tarafa tam anlam\u0131yla aktarmak imkans\u0131zd\u0131r. Hi\u00e7 \u015f\u00fcphesiz konu\u015fmak i\u00e7in dil mevcuttur ancak konu\u015fmak anlamay\u0131 gerektirir. Peki konu\u015fmak nedir? Konu\u015fmak, merkezdeki bir noktadan d\u0131\u015far\u0131ya aktar\u0131lan eylem de\u011fil; en az iki merkez noktan\u0131n birbirine akmas\u0131d\u0131r. Konu\u015fmak asl\u0131nda tehlikeli bir eylemdir. \u00c7\u00fcnk\u00fc, konu\u015fmak i\u00e7in egomuz da yar\u0131klar a\u00e7mam\u0131z gerekir ve bu bizi kar\u015f\u0131 tarafa korumas\u0131z b\u0131rak\u0131r. Bu demek oluyor ki, yaln\u0131zl\u0131k g\u00fcvenilirdir. Oysa ne anlam\u0131 var ki, egomuz da s\u0131n\u0131rs\u0131z yar\u0131klar a\u00e7mazsak ba\u015fka t\u00fcrl\u00fc rastlant\u0131lara nas\u0131l kap\u0131 aralayabiliriz. \u0130nsan, bir ba\u015fkas\u0131n\u0131 anlayabilmek i\u00e7in \u00f6nce kendisini bilmelidir. Her insan\u0131n s\u00f6zc\u00fcklere y\u00fckledi\u011fi anlam ve deneyimler birbirinden farkl\u0131d\u0131r. Bu sebeple ayn\u0131 s\u00f6zc\u00fckleri kullansak dahi tam anlam\u0131yla konu\u015fmak, anla\u015fmak imkans\u0131zd\u0131r. Asl\u0131nda konu\u015fmak duyarl\u0131l\u0131kla m\u00fcmk\u00fcnd\u00fcr ancak duyarl\u0131l\u0131kta kullanmakta oldu\u011fumuz dilin s\u0131n\u0131rlar\u0131na mahkumdur. Hi\u00e7 bir dil yoktur ki insan duyarl\u0131l\u0131\u011f\u0131n\u0131 tam anlam\u0131yla hissetti\u011fi gibi kar\u015f\u0131 tarafa aktarabilsin. \u201cHerkes, kendine yazg\u0131l\u0131d\u0131r; kendi bulundu\u011fu \u2018yer\u2019 e hapistir; kendi konumunda \u00e7ak\u0131l\u0131d\u0131r. Bu \u2018yazg\u0131\u2019 ancak ve ancak derin bir \u015fekilde \u2018sanat\u2019 taraf\u0131ndan belki, yeni ba\u015ftan olmasa da , bu m\u00fcmk\u00fcn de\u011fildir, yeni bir yata\u011fa akabilir.\u201d (sayfa: 39) Duyarl\u0131l\u0131\u011f\u0131n geni\u015fletilmesi ancak sanat ile m\u00fcmk\u00fcnd\u00fcr. Sanat, bizim kendi bulundu\u011fumuz d\u00fcnya d\u0131\u015f\u0131nda ba\u015fkalar\u0131n\u0131n d\u00fcnyas\u0131n\u0131 bize anlatarak farkl\u0131 y\u00f6nlerden bakmam\u0131z\u0131 sa\u011flar. Bizi bir ba\u015fkas\u0131 yapar. Duyarl\u0131l\u0131\u011f\u0131 aktarma aray\u0131\u015f\u0131na girdi\u011fimizde kar\u015f\u0131m\u0131za \u2018m\u00fczik\u2019 \u00e7\u0131kar. Evet o \u00e7\u0131lg\u0131nca dile sahip, sesleri notalarla yaz\u0131lan m\u00fczik! Sanatlar\u0131n en y\u00fccesi m\u00fczik midir? M\u00fczik de sesi notan\u0131n i\u00e7ine hapsetmekten ibaret de\u011fil midir? \u00d6yleyse \u00e7\u0131lg\u0131nca dile sahip m\u00fczi\u011finde s\u0131n\u0131rlar\u0131 vard\u0131r diyebiliriz. Asl\u0131nda m\u00fczik bir nevi sesleri dondurmak, mumyalamak hatta konserve etmektir. Peki ya \u2018\u015fiir\u2019 ? \u015eiir, insana bir ba\u015fkas\u0131 olabilmeyi \u00f6\u011fretir. Asl\u0131nda \u015fiirde m\u00fczikte aldanm\u0131\u015ft\u0131r ve aldat\u0131c\u0131d\u0131r. K\u0131saca, okudu\u011fumuz her \u015fiir, roman; izledi\u011fimiz her film, dizi ; dinledi\u011fimiz her m\u00fczik bizi ba\u015fkas\u0131 yapar ve bize yeni ki\u015filikler kazand\u0131r\u0131r. Konu\u015fmak \u00f6yle zannedildi\u011fi gibi hemen ger\u00e7ekle\u015fmiyor, \u00e7aba gerektiriyor. \u0130nsan\u0131n konu\u015fmak i\u00e7in kabu\u011funda yar\u0131klar a\u00e7mas\u0131 gerekiyor. \u201cKonu\u015fmak imkans\u0131zd\u0131r, bu kesin. Ama i\u015fte bunun i\u00e7in konu\u015fmak gerekir.\u201d (sayfa: 71)","og_url":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/","og_site_name":"ASLIHAN KARATA\u015e","article_published_time":"2024-04-01T10:31:10+00:00","article_modified_time":"2024-04-01T10:32:17+00:00","og_image":[{"url":"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png"}],"author":"aslihankaratas","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"aslihankaratas","Tahmini okuma s\u00fcresi":"4 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/","url":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/","name":"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog - ASLIHAN KARATA\u015e","isPartOf":{"@id":"https:\/\/aslihankaratas.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/#primaryimage"},"image":{"@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/#primaryimage"},"thumbnailUrl":"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png","datePublished":"2024-04-01T10:31:10+00:00","dateModified":"2024-04-01T10:32:17+00:00","author":{"@id":"https:\/\/aslihankaratas.com\/#\/schema\/person\/28b7a61160b8d1bb18a217d5f1e856d4"},"breadcrumb":{"@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/#primaryimage","url":"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png","contentUrl":"https:\/\/miro.medium.com\/v2\/resize:fit:596\/1*3BSUUg5Ymx20Hd3WWSzPLA.png"},{"@type":"BreadcrumbList","@id":"https:\/\/aslihankaratas.com\/index.php\/2024\/04\/01\/konusmanin-imkansizligi-uzerine-bir-diyalog\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Anasayfa","item":"https:\/\/aslihankaratas.com\/"},{"@type":"ListItem","position":2,"name":"Konu\u015fman\u0131n \u0130mkans\u0131zl\u0131\u011f\u0131 \u00dczerine Bir Diyalog"}]},{"@type":"WebSite","@id":"https:\/\/aslihankaratas.com\/#website","url":"https:\/\/aslihankaratas.com\/","name":"ASLIHAN KARATA\u015e","description":"Lecturer","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/aslihankaratas.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"tr"},{"@type":"Person","@id":"https:\/\/aslihankaratas.com\/#\/schema\/person\/28b7a61160b8d1bb18a217d5f1e856d4","name":"aslihankaratas","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/aslihankaratas.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9b9ff8326f9ce8f3ae3e5c45df92cb1c62be24345bd251cd5a84bbe607b592b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9b9ff8326f9ce8f3ae3e5c45df92cb1c62be24345bd251cd5a84bbe607b592b7?s=96&d=mm&r=g","caption":"aslihankaratas"},"sameAs":["http:\/\/aslihankaratas.com"],"url":"https:\/\/aslihankaratas.com\/index.php\/author\/aslihankaratas\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/posts\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/comments?post=229"}],"version-history":[{"count":2,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/posts\/229\/revisions"}],"predecessor-version":[{"id":232,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/posts\/229\/revisions\/232"}],"wp:attachment":[{"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/media?parent=229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/categories?post=229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aslihankaratas.com\/index.php\/wp-json\/wp\/v2\/tags?post=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}